Pierre Boulez

Pierre Boulez

Also known as Boulez, Пьерр Булез, P. Boulez
This performer (group) in the Internet: http://en.wikipedia.org/wiki/Pierre_Boulez

Discography of Pierre Boulez:

Click to release title to look at track list of the album
Pages of releases table:
# Cover Release title Total tracks Download full release in mp3 Release Date Label
1

Structures Pour Deux Pianos

2 mp3 WERGO
2

Parsifal

42 mp3
3

Concertos For Cello · Violin · Piano

3 mp3 Deutsche Grammophon
4

Domaines

2 mp3 1971 RCA Red Seal
5

Structures II / Improvisation II Sur Mallarmé

2 mp3 1969 Fratelli Fabbri Editori
6

Alban Berg: Kammerkonzert / Igor Stravinsky: Ebony Concerto - Dumbarton Oaks - 8 Miniatures

12 mp3 1995 Deutsche Grammophon
7

Première Sonate Pour Piano / Deuxième Sonate Pour Piano / Troisième Sonate Pour Piano

11 mp3 1985 WERGO
8

Sonatine Pour Flûte Et Piano / Première Sonate Pour Piano / Dérive / Mémorial / Dialogue De L'Ombre Double / Cummings Ist Der Dichter

9 mp3 1991 Erato
9

Sur Incises / Messagesquisse / Anthèmes 2

18 mp3 2000 Deutsche Grammophon
10

Le Marteau Sans Maître / Sonatine / 7 Haïkaï

20 mp3 Disques Adès
11

Pli Selon Pli

6 mp3 2002 Deutsche Grammophon
12

Répons / Dialogue De L'Ombre Double

25 mp3 1998 Deutsche Grammophon
13

Lulu Suite / Der Wein / Lyric Suite

15 mp3 1990 Sony Classical
14

Sur Incises / Messagesquisse / Anthèmes 2

18 mp3 2007-04-00 Deutsche Grammophon
15

Klavierkonzerte Nr.1 Und Nr.3

8 mp3
16

Pierre Boulez Parle De Pierrot Lunaire

2 mp3 1978 CBS
17

Concerto For Orchestra

5 mp3 1973 CBS
18

Songs

44 mp3 1991-06-00 Deutsche Grammophon
19

Schoenberg / Berio / Carter / Kurtág / Xenakis

41 mp3 1995 Erato
20

Secret Theatre · Tragœdia · Five Distances · 3 Settings Of Celan

17 mp3 1995 Deutsche Grammophon
21

The Rite Of Spring

21 mp3 1966 Nonesuch
22

Complete Works Opp 1-31 / Das Gesamtwerk / L'Oeuvre Intégrale

34 mp3 1991 Sony Classical
23

Structures For Two Pianos: First And Second Books

5 mp3 Mace Records
24

Antiphysis / Mortuos Plango, Vivos Voco / Modulations

3 mp3 1984 Erato
25

The Three Piano Sonatas

3 mp3 2005-02-00 Deutsche Grammophon
26

Sept Haïkaï, Couleurs De La Cité Céleste, Un Vitrail Et Des Oiseaux, Oiseaux Exotiques

5 mp3 2000 Montaigne
27

Pulcinella · The Song Of The Nightingale · The Nightingale · L'Histoire Du Soldat

60 mp3 1995 Erato
28

Pli Selon Pli · Livre Pour Cordes

9 mp3 1995 Sony Classical
29

Bolero, Menuet Antique, Daphnis Et Chloé, La Valse

4 mp3 1983
30

Et Exspecto Resurrectionem Mortuorum

12 mp3 Erato
31

Gurre-Lieder

6 mp3 1975 CBS
32

Messages De Feu Demoiselle R.V. Troussova / ...agm...

2 mp3 1984 Erato
33

Images / Prélude A L'Après-Midi D'Un Faune / Printemps

14 mp3 1992 Deutsche Grammophon
34

Klavierstück 9 / Sonate N°3 / 6 Petites Pièces

3 mp3 Music For Pleasure
35

Pli Selon Pli

5 mp3 CBS
36

Concerto For Orchestra

5 mp3 CBS
37

Bluebeard's Castle

19 mp3 1998-07-14 Deutsche Grammophon
38

The Piano Concertos

12 mp3 2005 Deutsche Grammophon
39

Première Sonate Pour Piano / Deuxième Sonate Pour Piano / Troisième Sonate Pour Piano

11 mp3 1985 WERGO
40

Clinamen / Nodus - Construction In Space

2 mp3 2002 Kairos
41

The Perfect Stranger

7 mp3 1984 La Voix De Son Maître
42

Wagner Par Boulez

4 mp3 1973 CBS
43

The New Music Vol. 2

3 mp3 1968 RCA Victrola
44

Serenata I / Sonatine / Cantéyodjayâ / Zeitmasze

4 mp3 1985 Disques Adès
45

La Mer - Nocturnes - Jeux - Rhapsodie Pour Clarinette Et Orchestre

12 mp3 1995 Deutsche Grammophon
46

Daphnis Et Chloé, Pavane For A Dead Princess, Rapsodie Espagnole, Alborada Del Gracioso

4 mp3 1971 CBS
47

A Symphony Of Three Orchestras / Déserts · Ecuatorial · Hyperprism

4 mp3 1995 Sony Classical
48

Pierrot Lunaire

25 mp3 1976 Disques Adès
49

Le Marteau Sans Maître

9 mp3 1964 Disques Adès
50

La Mer - L'Après Midi D'un Faune - Jeux

7 mp3 1967 CBS
Pages of releases table:

Boulez was born at Montbrison, France, 26 March 1925.
He studied with Messiaen at the Paris Conservatoire (1942-1945) and privately with Andrée Vaurabourg and René Leibowitz, inheriting Messiaen's concern with rhythm, non-developing forms and extra-European music along with the Schönberg tradition of Leibowitz. The clash of the two influences lies behind such intense, disruptive works as his first two piano sonatas (1946, 1948) and Livre pour quatuor for string quartet (1949). The violence of his early music also suited that of René Char's poetry in the cantatas Le visage nuptial (1946) and Le soleil des eaux (1948), though through this highly charged style he was working towards an objective serial control of rhythm, loudness and tone colour that was achieved in the Structures for two pianos (1952). At this time he came to know Stockhausen, with whom he became a leader of the European avantgarde, teaching at Darmstadt (1955-67) and elsewhere, and creating one of the key postwar works in his Le marteau sans maître (1954). Once more to poems by Char, the work is for contralto with alto flute, viola, guitar and percussion: a typical ensemble of middle-range instruments with an emphasis on struck and plucked sounds. The filtering of Boulez's earlier manner through his 'tonal serialism' produces a work of feverish speed, unrest and elegance.
In the mid-1950s Boulez extended his activities to conducting. By the mid-1960s he was appearing widely as a conductor, becoming chief conductor of the BBC Symphony Orchestra (1971-1974) and the New York Philharmonic Orchestra (1971-1978). Meanwhile his creative output declined. Under the influence of Mallarmé he had embarked on three big aleatory works after Le marteau, but of these the Third Piano Sonata (1957) remains a fragment and Pli selon pli for soprano and orchestra (1962) has been repeatedly revised; only a second book of Structures for two pianos (1961) has been definitively finished. Other works, notably Eclat/Multiples for tuned percussion ensemble and orchestra, also remain in progress, as if the openendedness of Boulez's proliferating musical world had committed him to incompleteness. Only the severe memorial Rituel for orchestra (1975) has escaped that fate.
Since the mid-1970s Boulez has concentrated on his work as director of the Institut de Recherche et Coordination Acoustique/Musique, a computer studio in Paris where his main work has been "Répons" for orchestra and digital equipment.

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