@c

@c

Members of @c: Miguel Carvalhais, Pedro Almeida, Pedro Tudela
This performer (group) in the Internet: http://www.at-c.org

Discography of @c:

Click to release title to look at track list of the album
Pages of releases table:
# Cover Release title Total tracks Download full release in mp3 Release Date Label
1

Hard Disk

8 mp3 2003-02-07 Crónica
2

v3

10 mp3 2004-04-00 Crónica
3

+

7 mp3 2001-11-00 Variz
4

Product 04

4 mp3 2004-12-00 Crónica
5

Folio, Re-compiled Compositions 2003 & 4

9 mp3 2005-04-00 Fuga Discos
6

48

3 mp3 2005-05-00 Ristretto
7

42/44

2 mp3 2006-01-00 Silence Is Not Empty
8

Study

7 mp3 2006 Grain Of Sound
9

48EDE

3 mp3 2008-05-00 Ristretto
10

Live At Atlantic Waves 2007

3 mp3 2008 Crónica
11

Blues

3 mp3 2007 Crónica
12

Live At Rua Do Rosário 141, Porto

3 mp3 2006 Crónica
13

Laptop Non Stop @ Universidade Católica Do Porto, Part 2

3 mp3 2005 Crónica
14

Live At Offf 2008

3 mp3 2009-01-02 Crónica
15

0°-100°

8 mp3 2010-07-00 Monochrome Vision
16

Re:Fujaco

3 mp3 2012-09-21 Galaverna
17

Re:Fujaco

3 mp3 2012-09-21 Galaverna
18

Live At Opensound

3 mp3 2012-11-03 Crónica
19

Half-Life, Still Life

3 mp3 2013-04-12 Crónica
20

Live At Natal Dos Experimentais 2012

3 mp3 2013-06-10 Crónica
21

Ab Ovo

6 mp3 2014-01-06 Crónica
Pages of releases table:

Working together since 2000, @c started as a trio and later shrank to a duo that ocasionally re-expands to an audiovisual trio when performing with the Austrian artist [url=http://lia.sil.atLia[/url.
The musical work of @c is developed in the cross-section of three complimentary approaches to sound art and electronic music: algorithmic composition, concrete sounds and improvisation. If on one hand their compositions are usually built around strong structural foundations, it's also common that multiple bits are freed from these structures when integrated into the sound work, contributing to the settling of elaborate strategies of deconstruction. Improvisation, either in dialogue or discussion, is central to @c's performances, as is the will to create open compositions and to nurture ongoing processes that digitally amplify sound realities. The creation of cross-links between referrals and memories plays with the balance between reconnaissance and abstraction.
Pedro Tudela is a plastic artist and a musician and teaches at the Painting Department of the Faculty of Fine Arts, University of Porto (FBAUP).
Miguel Carvalhais is a designer and musician and teaches at the Design Department of FBAUP.
Since 2000, they cooperatively run the media label [l13036.

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